Who We Are

Alyssa Lehman   alyssa.lehman@yahoo.com

 Mezzo-Soprano Alyssa Lehman made her professional soloist debut with the Maine Music Society, and has since performed with various musicians, chamber groups, orchestras and opera companies. Highlights include the title role in Carmen, Donna Elvira (Don Giovanni), Rosina (Il barbiere di Siviglia), Cherubino (Le Nozze di Figaro), Angelina (La Cenerentola), Dorabella (Cosi fan tutte), Bersi (Andrea Chenier) and Ottavia (L’Incoronazione di Poppea). Alyssa performed with the Tuscia Opera Festival (Viterbo, Italy), as well as studied and performed in the Spoleto Vocal Arts Symposium (Spoleto, Italy) and the Mozarteum Conservatory Summer Academy (Salzburg, Austria).  Under the direction of Metropolitan Opera conductor, Joshua Green, Alyssa performed opera scenes with the New York Summer Opera Scenes, and has performed with groups such as the Newtown Chamber Orchestra, The Southampton Chamber Music Society, Androscoggin Players and The Delaware Valley Opera Company. A lover of art song, chamber music, as well as new music, Alyssa performs regularly as a soloist in numerous recitals and chamber music concerts. 

Who We Are

Susan Rheingans

mezzo-soprano, began her career as a soloist with the Roger Wagner Chorale on tours of the United States and the Orient. Most recently she has been heard in performances of Brahms’ Zwei Alto Gesänge with members of the Newtown Chamber Orchestra and the role of Martha in Gounod’s Faust with Bohème Opera New Jersey. She has also appeared with Los Angeles Opera, New York Opera Forum, Bel Canto Opera of Los Angeles, Concert Opera Philadelphia and Delaware Valley Opera Company, among others, and she includes the roles of Octavian in Der Rosenkavalier, Giulietta in Les Contes d'Hoffmann, Meg Page in Falstaff, Geneviève in Pelléas et Mélisande, the Princesse de Bouillon in Adriana Lecouvreur and Laura in La Gioconda in her repertoire.
Ms. Rheingans has been on the voice faculty of Settlement Music School in Philadelphia since 2001, and maintains a busy private voice studio in Fairless Hills, Pennsylvania. A former first prize winner in the National Association of Teachers of Singing competition for the southern California region, Ms. Rheingans was President of the New Jersey Chapter of NATS from 2008 to 2012. For more information, visit www.susanrheingans.com.



Who We Are

Julia Katherine Walsh

 Soprano, most recently performed the roles of Königin der Nacht in Mozart's Die Zauberflöte and the Taufee and Sandmann in Humperdinck's Hänsel & Gretel in Munich and Stuttgart, Germany with the Freies Landestheater Bayern. She has participated in Masterclasses with Margo Garrett in the 2020 NATS Winter Workshop in NYC, and at the 2017 & 2016 Schubertiade with Thomas Quasthoff and Justus Zeyen, and with Thomas Hampson and Wolfram Rieger,  in Schwarzenberg, and Hohenems, Austria. She has also performed in Garmisch-Partenkirchen at the Richard-Strauss- Festival's 2016 and 2014 Masterclasses with Angelika Kirchschlager, and Brigitte Fassbaender and Michelle Breedt. She has performed many solo recitals in and around Munich and Straubing, Germany, as well as in New York City, Princeton, Philadelphia, Reading, and Allentown, and received critics’ praise for her technical vocal mastery and her believable interpretations. She is a champion of the music of women composers as well as the lesser-known works of Franz Schubert, Hugo Wolf and Richard Strauss. She's enjoyed operatic successes in both the USA and Germany, singing the roles of Konstanze in Mozart’s Die Entführung aus dem Serail (Theater Lünen, Oper Schloss Laubach), Königin der Nacht in Mozart’s Die Zauberflöte (Junge Oper Detmold, IVAI), Dido in Purcell’s Dido and Aeneas, Papagena in Mozart’s The Magic Flute, Oscar in Verdi’s Un ballo in maschera (Center City Opera Theater), and Eliza Doolittle in My Fair Lady (Charlottesville Opera), and in concert she’s sung Lucia in Donizetti’s Lucia di Lammermoor, Gilda in Verdi’s Rigoletto, and Zerbinetta in Strauss’s Ariadne auf Naxos.

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